By Ann Cvetkovich
In melancholy: A Public Feeling, Ann Cvetkovich combines memoir and significant essay looking for methods of writing approximately melancholy as a cultural and political phenomenon that provide choices to scientific types. She describes her personal adventure of the pro pressures, inventive nervousness, and political hopelessness that resulted in highbrow blockage whereas she was once completing her dissertation and writing her first publication. construction at the insights of the memoir, within the serious essay she considers the concept feeling undesirable constitutes the lived adventure of neoliberal capitalism.
Cvetkovich attracts on an strange archive, together with bills of early Christian acedia and non secular melancholy, texts connecting the histories of slavery and colonialism with their violent present-day legacies, and utopian areas made out of lesbian feminist practices of crafting. She herself seeks to craft a queer cultural research that bills for melancholy as a ancient type, a felt event, and some degree of access into discussions approximately conception, modern tradition, and daily life. melancholy: A Public Feeling means that utopian visions can stay in day-by-day conduct and practices, resembling writing and yoga, and it highlights the centrality of somatic and felt adventure to political activism and social transformation.
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Extra info for Depression: a public feeling
Its unconventional archive thus includes, in addition to personal narrative, the spiritual and religious traditions of the first chapter, the indigenous traditions and everyday experiences of racism of the second, and the queer cultures that are part of my daily life. I hope to reinvigorate forms of humanities writing that are based in creative and speculative thinking and feeling. The brief epilogue reiterates this methodological desire through the insights of a diverse group of writers—Lynda Barry, David Foster Wallace, Audre Lorde, and Eileen Myles.
7. ” 8. See “From Surface to Depth, between Psychoanalysis and Affect,” Muñoz’s introduction to “Between Psychoanalysis and Affect: A Public Feelings Project,” as well as the entire special issue of Women and Performance more generally, for a discussion of the complementary rather than mutually Notes to Introduction 215 exclusive relation between affect theory and psychoanalysis. See also Brennan, The Transmission of Affect, for an example of psychoanalytically inflected work that is also attentive to the somatic nature of affect and its intersubjective qualities, as well as Sedgwick’s turn to Sylvan Tompkins for alternatives to psychoanalysis in Sedgwick and Frank, Shame and Its Sisters.
Sedgwick, “Queer and Now,” 19. 42. The phrase “coming to know each other through our depression” comes from comments made by José Muñoz at the wrap-up session of the conference partially sponsored by Feel Tank Chicago on Depression: What Is It Good For? at the University of Chicago, March 2004. 43.
Depression: a public feeling by Ann Cvetkovich