New PDF release: Cult Television

By Sara Gwenllian-Jones, Roberta E. Pearson

ISBN-10: 0816638306

ISBN-13: 9780816638307

ISBN-10: 0816638314

ISBN-13: 9780816638314

A tv sequence is tagged with the label "cult" through the media, advertisers, and community executives while it truly is thought of edgy or offbeat, whilst it appeals to nostalgia, or whilst it's thought of emblematic of a specific lifestyle. by way of those standards, virtually any sequence may be defined as cult. but convinced courses exert an uncanny strength over their fanatics, encouraging them to immerse themselves inside a fictional global. In Cult tv prime students study such exhibits because the X-Files; The Avengers; health professional Who, Babylon 5; famous person Trek; Xena, Warrior Princess; and Buffy the Vampire Slayer to figure out the defining features of cult tv and map the contours of this phenomenon in the greater scope of pop culture.

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Sample text

Seeing new work from their upcoming CGI show, Transformers. In the UK and Europe, however, we get the full uncensored version—and, since the show is transferred to tape in the PAL format, we also get the full 100 extra lines resolution. So there are benefits to living in the UK! 10 Sequences therefore get retroactively defined as important and valuable through the knowledge that they are exclusive to the UK and Europe. Even the PAL system’s one hundred extra lines become a sign of exclusivity as part of a supposedly complete and unabridged original.

28. Interview with Larry “Buster” Crabbe, quoted in Stéphane Bourgoin and Pascal Mérigeau, “La série B américaine,” La revue du cinéma 380 (February 1983): 63. 29. Bruce Kawin, “After Midnight,” in The Cult Film Experience: Beyond All Reason, ed. Jean- Pierre Telotte (Austin: University of Texas Press, 1991), 18. 30. Timothy Corrigan, “Film and the Culture of Cult,” in The Cult Film Experience, ed. Telotte, 26. 31. Kawin, “After Midnight,” 20. 32. On the relationship between lifestyles and methods of appropriation of works of art, see Pierre Bourdieu, La distinction: Critique sociale du jugement (Paris: Éditions de Minuit, 1979), especially 301–64.

Bourdieu, Raisons pratiques, 129. 50. ’” 23 24 PHILIPPE LE GUERN 51. Simon Frith, “Souvenirs, souvenirs . ” in Rock: De l’Histoire au Mythe, ed. Patrick Mignon and Antoine Hennion (Paris: Anthropos, 1991), 250. 52. , 248–49. 53. “La Volkswagen New Beetle tente de séduire les nostalgiques,” Le Monde: “Among those age groups with high purchasing power and increasing influence at the heart of society, the nostalgic discourse strikes a particularly sensitive chord. . ” Olivier Donnat, in Les français face à la culture: De l’exclusion à l’éclectisme (Paris: La Découverte, 1994), 237, notes with regard to music that “the music boom .

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Cult Television by Sara Gwenllian-Jones, Roberta E. Pearson


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