Conflicts of Memory: The Reception of Holocaust Films and TV - download pdf or read online

By Emiliano Perra

ISBN-10: 3039118803

ISBN-13: 9783039118809

Located on the confluence of background, media and cultural reports, this publication reconstructs the customarily deeply discordant and hugely selective stories of the Holocaust in Italy within the postwar period. The author’s middle process is certainly one of reception research, focused at the public responses to the various movies and tv programmes that experience addressed the Holocaust from the Forties to the current day. Tied to the historical past of Fascism, antifascism, and the Resistance, public reminiscence of the Holocaust in Italy has replaced tremendously through the years. Self-acquitting myths of Italian innocence and victimhood, and universalising interpretations grounded in Catholicism and Communism, supplied the preliminary frameworks for knowing the Holocaust. notwithstanding, the final twenty years have visible an expanding centrality of the Holocaust in reminiscence tradition yet have additionally witnessed the institution of a paradigm that relativises different fascist crimes and degrees the variations among Fascism and antifascism. operating with the biggest corpus but validated of Holocaust movie and tv in Italy, from the 1948 retelling of the Wandering Jew fantasy to Roberto Benigni’s arguable Life Is Beautiful, from the yankee miniseries Holocaust to Perlasca: The braveness of a simply Man, Conflicts of Memory probes Italy’s ongoing, if incomplete, strategy of coming to phrases with this crucial element of its prior.

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Extra resources for Conflicts of Memory: The Reception of Holocaust Films and TV Programmes in Italy, 1945 to the Present (Italian Modernities)

Example text

The best way to plead Italy's cause was to remark upon, and emphasise, the differences firstly with Germany, and secondly with Fascism. '54 It was claimed that this difference was made manifest by the different conduct adopted by Italian and German soldiers and civilians during the war. Italian soldiers were described as dutiful but exempt from any enthusiasm, unlike their German allies. 55 Furthermore, Italians proved their real antifascist feelings as soon as they were given the opportunity, with the collapse of the fascist regime.

Vice, 'Prime visioni', L'Osservatore Romano (13 March 1948): 2. Early Postwar Debates: Between Catholicism and Resistance 37 The persistence of traditional prejudices L'ebreo errante and aspects of its reception display a persistence of forms of Catholic pre-Vatican Council II anti-Jewish prejudice. 38 L'ebreo errante represents the persistence, presumably unconscious, of approaches to Judaism still situating themselves in a conversionist horizon after the war, thus confirming the tendency in the aftermath of the war to conceptualise the events of the Holocaust within pre-existing frameworks.

See also Moro 2002: 56. Miccoli 1997: 1398 sees the 1870s as the turning point in the Catholic Church's sanctioning of radical anti-Jewish prejudice. On the presence of religious-influenced prejudice in early twentieth-century Italy, see Feinstein 2004; Moro 2008b; Moro 1988. 39 40 See Consonni 2006; Marrus 2006. See also Moro 2008a: 51. Consonni 2006: 23. 38. C H A P T E R THREE the name of a high ideal of human solidarity' 41 as very effective. L'Unita, in turn, completely overlooked the religious theme and focused instead on the Resistance.

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Conflicts of Memory: The Reception of Holocaust Films and TV Programmes in Italy, 1945 to the Present (Italian Modernities) by Emiliano Perra


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