Download e-book for kindle: American Science Fiction TV: "Star Trek", "Stargate" and by Jan Johnson-Smith

By Jan Johnson-Smith

ISBN-10: 0819567388

ISBN-13: 9780819567383

ISBN-10: 1417583649

ISBN-13: 9781417583645

ISBN-10: 1860648827

ISBN-13: 9781860648823

From "The subsequent iteration" and "The X-Files", to "Farscape" and "Enterprise", sci-fi tv sequence within the US have expanded because the Nineteen Eighties. Jan Johnson-Smith indicates how, in response to nationwide political upheavals, this brilliant and confusing style set approximately increasing the parable of the Western frontier into deep house. She seems to be on the "sense of ask yourself" or chic that infuses a lot Frontier paintings and technological know-how fiction, and lines a potential ancient precedent to the style within the remarkable and heroic trips of the Classical epic. She discusses narrative types and their affects, from the overarching narrative of "Babylon five" to the episodic formulation of "The Outer Limits", considers how experimental sequence equivalent to "Twin Peaks" problem traditional constructions, and the way and why sci-fi tv has followed new applied sciences. She additionally explores the juxtaposition of arcane language and technological jargon in glossy American sci-fi tv, revealing the terribly alien, but apparently conventional area it creates.

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Extra info for American Science Fiction TV: "Star Trek", "Stargate" and Beyond (Popular TV Genres)

Example text

Its framework and its themes still operate significantly today within sf, connecting us with more traditional literary pleasures of the past. 89 The more psychological aspects of the Gothic can be located in much American literature, and in turn this has informed American science fiction. The film Blade Runner (1982) offers a neo-Gothic Los Angeles; John W. ’ (1938) was re-worked in film form as The Thing (From Another World) (1951) and as The Thing (1982) and the series American Gothic (1995–1996) provides a television version.

36 Consequently, sf defamiliarises our lives and with them the sf lives we read about, and reflects them back to us in an extravagant, extrapolated fashion. For Larry McCaffrey, in a 1990 collection of interviews with famous sf authors, this means places composed of ‘cognitive distortions and poetic figurations of our own social relations – as these are constructed and altered by new technologies’,37 are temporarily experienced by the sf reader. Reality is thus in a state of near-constant flux. This returns us to sf’s tendency to foreground the background in a manner seldom found in other genres.

For science fiction, forever seeking to create new realities, this is a distinct advantage. D E F A M I L I A R I S A T I O N A N D E S T R A N G E M E N T What then is sf doing when it uses estrangement to create its new worlds? Three authors offer slightly differing conclusions, but ultimately all confirm the importance of defamiliarisation and estrangement in the process of creating sf scenarios. Writing of Philip K. ’36 Consequently, sf defamiliarises our lives and with them the sf lives we read about, and reflects them back to us in an extravagant, extrapolated fashion.

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American Science Fiction TV: "Star Trek", "Stargate" and Beyond (Popular TV Genres) by Jan Johnson-Smith


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